"ETHICS AND AESTHETICS MUST GO HAND IN HAND TO CREATE TRULY BEAUTIFUL PIECES"
TRANSPARENCY & COMMITMENT
My practice consciously rejects the immediacy of the mass market. I conceive each piece outside the dynamics of consumption, aiming to recover a more human-centric approach to making.
I view sustainability as an exercise in responsibility and coherence. I seek rigor in every decision, questioning the origin, impact, and intrinsic value of what I create.
In my atelier, time is an essential ingredient. Each piece is the result of a slow, deliberate process, where the raw matter is as significant as the final finish. It is not merely about creating beautiful objects, but about dignifying the craft, honoring the hands that make it possible, and elevating the value it brings to our communities and the world we inhabit.
Countering the culture of the ephemeral, I propose an alternative based on permanence:
HUMAN SCALE: Local, limited, and unhurried creation, respecting the time that excellence demands.
PERMANENCE: Timeless pieces conceived to age with dignity.
LEGACY: The reclamation of ancestral know-how that is at risk of disappearing.
NOBLE MATERIALS: Natural, regenerative, organic, and traceable materials, selected under strict sustainable criteria and certification.
SUSTAINABILITY CRITERIA
LIMITED
EDITION
I work without inventory to ensure that each piece receives the undivided attention it deserves. My creations are only brought to life when they have a destination.
As a purely manual process, the number of works I can birth each year is naturally restricted. This is the reality of true craftsmanship: human time is unscalable. Those who choose my work understand that anticipation is an intrinsic part of its value.
HAND-CRAFTED
Each piece is crafted by hand; the human gesture introduces subtle nuances that render every work unique, possessing its own character and identity.
Artisanal techniques must not remain anchored in the past or become a mere nostalgic rescue. My practice transforms them into a tool for the future through innovation and contemporary design, ensuring that this ancestral know-how is not lost, but evolved.
R&D+i
I perceive technology not as a substitute for the human gesture, but as a tool to expand its boundaries. I integrate parametric design and 3D printing to enrich traditional techniques, allowing me to create fully bespoke pieces using biodegradable, compostable, and recycled materials.
This hybridization enables me to craft made-to-measure works without generating waste: matter materializes only where it is strictly necessary.
ECODESIGN
CIRCULAR LUXURY:
I curate a selection of top-quality deadstock fabrics through alliances with designers. This is Signature Upcycling: transforming industry discards into botanical sculptures, and revaluing the textile through technique and design.
Personal narrative: I work from the realm of Textile Memory. I integrate family heirlooms and fabrics to create works that transcend their original function. It is not merely an accessory; it is an object with history, designed to endure.
MODULAR DESIGN & VERSATILITY:
I design living pieces meant to interact with anatomy and silhouette, allowing for multiple readings of the same object. I propose structures that invite play and reinterpretation, adapting to different contexts and uses. I move away from the ephemeral to create timeless pieces that evolve with you and your style.
MATERIAL RESEARCH
I explore new possibilities by formulating my own materials. I work with biopolymers, living cultures, bio-conglomerates, and cellulosic fibers, achieving unique finishes born from experimentation and the circular economy.
ECOSYSTEM OF VALUES
Beyond design, I construct an ecosystem of conscious creation. I collaborate with a network of artisans, designers, and aligned partners, thereby guaranteeing traceability and transparency.
For me, this is not merely sustainability; it is creative coherence.
SENSORY & CIRCULAR PACKAGING
I extend my artistic vision beyond the piece itself, curating the wrapping as a ritual. I adapt the packaging to the nature of each work: from handcrafted boxes lined with organic papers—or created from local organic by-products like fruit and nut residues—to protective bags crafted from my own textiles.
The details make the difference: closures with silk ribbons that I botanically dye in my Ávila atelier, preserved flowers, or Furoshiki (風呂敷) wrappings using my own textile surplus. Everything is conceived so that receiving the piece is an aesthetic and sustainable experience.