ABOUT ME
TRAJECTORY & METHODOLOGY
My practice lies at the intersection of fashion, art, and contemporary craftsmanship. With a solid technical foundation in garment construction, sustainability, and artistic disciplines, I have developed a transversal vision enriched by years of experience in art direction, costume design, and spatial design. This multidisciplinary path has granted me a profound understanding of form, color, and the staging of matter.
In my studio, words are replaced by the narrative of gesture: a technical dance where hands apply tension, guide, and shape the material to conceive unique pieces. I do not seek immediacy, but rather the excellence of traditional trades challenged by contemporary experimentation.
TEXTILE AS LANGUAGE AND RESISTANCE
Textile is my language, the medium through which I materialize stories and bring visibility to historically feminine knowledge that has been marginalized. My body of work is a journey of research, tradition, learning, and experimentation allowing me to articulate political and social statements through the lens of beauty.
For me, craftsmanship represents culture, sustainability, and the pause. It is an active resistance against haste and the culture of the ephemeral. Embracing these rhythms is a declaration of how to live, what to nurture, and what to safeguard, transforming each piece into a conscious gesture imbued with meaning.
MY PHILOSOPHY
THE THREE PILLARS
GUARDIAN OF STORIES
I safeguard knowledge and techniques that must endure. I rescue the memory of traditional crafts as a living heritage, ensuring they do not dissolve into oblivion.
SEEKER OF PATHS
I traverse disparate realms of knowledge. I investigate techniques and materials rooted in both respect and innovation.
CREATOR OF BRIDGES
I articulate the unexpected. Where others see disconnection, I forge a link, uniting disparate techniques and materials to generate a new language.