ABOUT ME
TRAJECTORY & METHODOLOGY
My practice unfolds at the intersection of art, contemporary craftsmanship and haute couture. My training in dressmaking, haute couture, sustainability, artisanal techniques and artistic disciplines, together with my experience in art direction, costume design and spatiality, has shaped a cross-disciplinary vision of material, colour, form and scenography.
In my studio, gesture takes the place of words. Hands stretch, fold, shape and guide material into unique pieces. I am not interested in immediacy, but in the rigour of craft, the sensitivity of process, and the possibility of continuing to open new paths through experimentation.
TEXTILE AS LANGUAGE AND RESISTANCE
Textile is my language; through it, I materialise narratives and bring visibility to historically feminine forms of knowledge that were long overlooked.
My work is rooted in research, tradition and experimentation as ways of knowing.
I understand craftsmanship as culture, sustainability and pause: a way of resisting haste and ephemerality, and of turning each piece into a conscious gesture, imbued with meaning.
MY PHILOSOPHY
THE THREE PILLARS
GUARDIAN OF STORIES
I preserve techniques and forms of knowledge that deserve to endure, understanding craft as a living heritage.
SEEKER OF PATHS
I move across distinct territories of knowledge. I explore materials, techniques, and possible intersections with respect for craft and an openness to new paths.
CREATOR OF BRIDGES
Where others see disconnection, I build a bond.
I bring together unexpected disciplines and materials to create a new language.
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