ARTISTIC PROJECTS AND RESEARCH ON NEW MATERIALS

The term art, from the Latin ars, artis, refers to the craft capable of transforming creativity into form. Originally, it described the skill of making; today, it remains a discipline that resists any attempt to be confined within theories. Art, like craftsmanship, exists in a space where rules coexist with the freedom to break them.

My work is born from curiosity, an enduring restlessness that drives me to learn, experiment, and preserve. Tradition is my point of departure, a heritage I honor through the continuous search for new techniques and materials. Knowing the codes is essential; transcending them is an act of creation.

I deeply believe in the importance of safeguarding classical values and the artisanal legacy, adapting them to the sensibilities of the present and the needs of the future. Along this path, the traceability of materials becomes an ethical gesture—a social, environmental, and gender-equity concern. Keeping traditional techniques alive is not incompatible with innovating them; it demands precisely that openness to the unexpected.

I work with a sense of responsibility to the past, to the environment, and to those who will come after us. For this reason, I explore materials others might discard: recycled tire dust fused with mica, fabric remnants, eggshell, onion skin… Humble elements that, reimagined, reveal their extraordinary beauty. In each piece, Circular Economy proves that luxury can also be conscious, surprising, and profoundly human.

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